【RailRomanesque/Aya Suzaki】[4 hours/Warabe Train/Earwig/Tent] Gramophone Rail Kisuko [CV Aya Suzaki].
[Ranking]24 Hours:#6, 7 Days:#11, 30 Days:#58
Title:[4 hours/Warabe Train/Earwig/Tent] Gramophone Rail Kisuko [CV Aya Suzaki].
Maker:RailRomanesque/Aya Suzaki
Release date:2020/11/07
Genre:Moe, healing, binaural/damihe, ASMR, Girl, Earwax, Outdoors, whispering
Campaign
TV animation [Rebel-Romanesque] linked audio work
https://railromanesque.jp/
The 6th one is played by Aya Suzaki, Kisako!
Outline
This is a story of a country where most of the railroad tracks have been lost due to the great abandonment of railroads – Hinomoto.
But there are still a few railroad companies scattered around the country that continue to fight against the great railway abandonment. For example, the
One such project, [Gramophone Rail], was launched by a major newspaper to introduce the attractions of the railroads and their lines through the lens of sound.
The main role of finding and introducing sounds is played by “railroads," which are puppets/doll-like modules that usually support the operation and control of the trains running along the route.
One of the three major private railways in Japan. This is one of the three major private railways in Japan, and Neiya Railway is proud of its retro steam locomotive, Hoji 6016.
It’s a very interesting request, isn’t it? Mustafa]
I deeply love the repetition of old-fashioned daily life.
In the event that you have any questions concerning where by and how to use the internet, you can contact us at our own web site.
The sound of a small steam locomotive running through an amusement park. Making salt for the first time. A ferry crossing to a deserted island.
The sound of the waves rolling in and out of the tent we had worked so hard to put up.
The sounds that Kiko and I make, or find, or create together…
The sounds that you and Kiko find and create together will surely delight your eardrums and relax your mind at the same time.
A journey to find sounds with the curious Kiwako.
Please keep your ears open and enjoy together.
Character
[You snuggled up to me, didn’t you? Mustafa.
He didn’t even say a single thing, and he didn’t even pat me on the head.
I’m sure you’ll be able to figure out what’s going on.
Just to be close to me]
[The very slight warmth of our shoulders touching each other…
I’m sure you’ll be able to understand why.
I’m not alone, I’m here for you.
I’d like to thank you for your kind words.]
The Kabagun Line is a small line that steadily supports the Nagoya Railroad, one of the three major private railroads in Japan.
In the past, the line flourished as a tourist route, but now, both tourism revenue and the number of regular passengers have plummeted, and there are even whispers of a survival crisis.
The railroad rod of the steam locomotive, a strange vehicle that is on the verge of extinction, is familiar with the old and loves the everyday life with you more than anything else.
Because of this love for everyday life, Kiko is also a fan of new things and first experiences. We love the old and the new.
For her, a request for an interview with a gramophone reel sounds as exciting and wonderful as the bell on a new train line.
In order to fully enjoy the journey of searching for sounds, Kiko decided to go to
A partner who has been with me throughout my carefully repeated daily life–
So, in order to fully enjoy the journey of searching for sound, Kiko takes the hand of you, her partner who has been with her all through her carefully repeated daily life –
I hope you will enjoy the time to find or create sounds with the steamer who loves the old and enjoys the new, in an exciting and relaxed way.
Sound creation by field recording and Foley
At [Gramophone Rebel], we are committed to field recordings of environmental sounds, and we are always looking for new ways to make sounds.
We are committed to field recordings of environmental sounds, and we produce scenarios and works in a way that makes the most of the well recorded sounds – a kind of “sound destination".
Recording location
The recording location for this work is Gamagori City, Aichi Prefecture, and the area from Kira Town in Nishio City to the uninhabited island of Okijima.
Although there was a considerable distance to travel, the whistle of a steam locomotive running in an amusement park in Nishio City clearly reached Okijima, and I was able to experience the strength of the sound.
In addition to the steam whistle, the sound of the locomotive running, the sound of boats, the sound of tents being set up, and so on, I hope to convey the comfort of the breathing of the sounds made by machines and tools in this work.
Ear buds
A retro-modern, high-caliber, and caring lady.
In the event that you have any questions regarding where and the best way to get in touch with us, please do not hesitate to contact us.
In the ear scratching scene, she shows her sweet side only to you, the master, so I concentrated on making the best use of the “pauses" in the voice you gave me, and made the ear scratching scene to emphasize them even more.
■ASMR
For the recording inside the steam locomotive in Nishio City, I aimed for a time when there would be few passengers and no other events going on.
I asked the engineer/assistant engineer to turn off the in-train broadcast for one of the two rides in a row.
I asked Aya Suzaki to play a double role in the “original in-train broadcast" and combined it with the sound source of the “version without in-train broadcast" to create Track 3, which I believe will be a pleasant and interesting listening experience for people from all walks of life. We hope you enjoy it. We hope you enjoy it.
–For all sounds, we have combined field recordings and Foley sound to create a more natural and comfortable listening experience.
Tracklist Total 4:19:07
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[Prologue. Self-Introduction by Kioko] [6:37
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[Pumpkin temple worship and the beginning of sound search](Rainy temple environmental sound. Temple and Shrine Environmental Sounds)10:33
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[Warabe Train] (ASMR sound of a sightseeing train, with and without in-train broadcasting, two rounds)18:21
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[Salt Making Experience] (Boiling, mixing, scraping off. (Boiling, mixing, scraping… ASMR sound of salt making experience)19:55
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[Motorboat, tenting, and right ear scraping] (Motorboat running sound. Tent setup ASMR. Desert island environmental sounds)32:46
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[Left ear piercing in tent on island]25:54
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[steamer and nap](chatting in whisper)22:55
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[Aya Suzaki’s free talk].7:53
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ASMR_[Prologue. Self-Introduction by Kioko] [6:37
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ASMR_[Pumpkin temple worship and the beginning of sound search](Rainy temple environmental sound. Temple and Shrine Environmental Sounds)10:33
-
ASMR_[Warabe Train] (ASMR sound of a sightseeing train, with and without in-train broadcasting, two rounds)18:21
-
ASMR_[Salt Making Experience] (Boiling, mixing, scraping off. (Boiling, mixing, scraping… ASMR sound of salt making experience)19:55
-
ASMR_[Motorboat, tenting, and right ear scraping] (Motorboat running sound. Tent setup ASMR. Desert island environmental sounds)32:46
-
ASMR_[Left ear piercing in tent on island]25:54
Stuff
Kiko: Aya Suzaki
https://twitter.com/suzaki_aya
Illustration:wingheart
https://twitter.com/wingheart_tw
Characterデザイン:cura
https://twitter.com/curacuracura
Scenario: Progressive Leopard
https://twitter.com/sin_kou_hyou
Sound Recording – Sound Effects – Editing: Takeshi Arai (HMR Entertainment)
https://twitter.com/arakeso
Assistant: Junji (HMR Entertainment)
Production: Rebel Romanesque Production Committee
Recording: Astral Studio
https://astralblaze.jp/
[Recording environment]
Recorded with a high quality dummy head microphone [NEUMANN / KU100]
It is recommended to use headphones or earphones to watch the video.
This is a binaural recording.
[file format].
WAV:96kHz / 24Bit high-resolution sound quality
MP3:48kHz / 320kbps
High resolution illustration & text included
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